I need to have great music playing when I'm painting. It is essential
to my art. When I listen to strong, edgy singers, I feel free to take
risks in my work. My brushstrokes come alive with the energy and power
I get from music. A few staples in the wide-ranging repertoire I use
while working include Americana artists Lucinda Williams, Patty
Griffin, Steve Earle, Tift Merritt, Ryan Adams and Buddy Miller,
Blues-rockers Susan Tedeschi, Robert Plant, Indigo Girls, Van
Morrison, Bruce Springsteen and Ben Harper, and Alt-rockers Gomez,
Cake, Mumford and Sons and Razorlight. I am grateful for the purity and honesty
of these incredible singers and composers; their work is the
undercurrent in each painting I make.
If music provides the tempo, giving my pictures their life-force,
nature is my inspiration and my adored subject. My oil paintings are
about vivid color and passionate, clear strokes with my brushes and
palette knives. Texture is important to me in my pictures; I want the
paintings to have a a sculptural quality. I hope people seeing my art
will want to embrace it in way; to feel the sensuality of the nature I
am trying to portray. I am interested in capturing the mystery and
power of nature in a way that lets my audience know the work is more
than an exact representation of what I am seeing. I hope my images
convey a sense of my awe about nature.
Although I thrive with music on while painting, I am silent, searching
for the inner beauty of my subjects. I think my work is about my
dreams of nature; my paintings reflect my desire to let the flowers,
trees, mountains and oceans in the landscapes have power. The
paintings mirror my view that nature cannot be taken for granted--I
want to embolden my subjects so people seeing the images will remember
and feel their beauty. I want my flowers and my snow and my trees to
stand up for themselves and say, "Do not forget me; do not let me go."
I live in Woodside, California, a place of great natural beauty; it's
rolling hills, trees and sunshine inspire me every day. I appreciate
my surroundings more so, having grown up in the cold and snow-laden
town of Rochester, New York. Despite its often adverse weather, in the
spring and summer, I relished taking in the beauty of our family's
large yard with its abundance of flower gardens, lovingly tended by my
father Larry. I graduated from Stanford University and cherished my
semester overseas in the art heaven of Florence, Italy. I later
graduated from Harvard Business School, but found my career in
marketing intellectually stimulating, but not soul-satisfying.
After my children were born, my mother, California impressionist
artist Carolyn Zaroff encouraged me to paint. I studied privately for
many years with master California painter Ning Hou.
Ning Hou and Carolyn Zaroff are the artists who first inspired me, and
whose influence on my work is enormous. I love the strength of Ning's
brushwork and I am awed by his ability to bring nature to life. Both
Ning and my mother taught me to be fearless in using color. My
mother's paintings have also shown me the simple, heartbreaking beauty
of a quiet landscape.
I paint for me, for the sense of exhilaration and joy that only a few
precious things in life can begin to approach. I appreciate this
chance, to do what I love, every day.